Exhibitions

 

Wave Pool's main gallery space is open Wednesday through Saturday from 12-5pm. There are also often corresponding exhibitions in our Locker Room Gallery.

 

Start Over Tomorrow While There is Still Time

March 2 - April 6

Wave Pool Gallery is proud to present ‘Start Over Tomorrow While There’s Still Time,’ an exhibition showcasing artists who embrace wit and absurdity through ink on paper as a way to better cope with everyday life. This group exhibition features quirky linework and unpredictable texts that inspire us, give us positive energy, and make us smile.

Artists include Karen Boyhen, Macartney Greer, Kyle Knobel, Nathaniel Russel, and Evan Verrilli.

Several of the artists are also putting on public interactive events as a way to extend their work out into the community. Kyle Knobel, a visiting artist from San Francisco, will be hosting a record club listening party at the gallery on March 3rd, encouraging attendees to bring a few songs they are excited about to share. At Urban Artifact on March 16th, Karen Boyhen will similarly be engaging with the public, drawing pictures of anyone interested in having a portrait done and listing their ‘likes and dislikes’ next to their image.

The exhibition will open with an opening reception with the artists on March 2nd from 6-9pm and will run until April 6th, 2019.

Everyone is welcome. Strictly good vibes.

This exhibition is sponsored by Carl and Elizabeth Solway

 
 
Fake Flier,  Nathaniel Russell

Fake Flier, Nathaniel Russell

 

Upcoming Exhibitions:

Tania El Khoury: As Far As My Fingertips Take Me
April 10 - April 13
Part of the CAC’s 2018 Performance Festival, As Far As My Fingertips Take Me is a conversation through a gallery wall between an audience member and a refugee. Through touch and sound, we share stories of people who have recently challenged border discrimination. The stories can be kept or washed away. Each encounter with one audience member takes about 10 to 15 minutes. The piece was created by Tania El Khoury responding to an invitation by Royal Court Theatre and LIFT to reflect on the idea of migration and refuge. Tania decided to invite a friend to talk about his own experience being born as a Palestinian refugee in Syria. The piece is meant as a “conversation” between a refugee and an audience member through a wall. Like most residents of the Yarmouk camp for Palestinian refugees in Syria, Basel's family has been made refugees again. Tania commissioned Basel who is a musician and a street artist to record a song inspired by the journey his sisters made from Damascus to Sweden. The audience will listen through headphones to a rap song written and performed by Basel while he paints on their arm.

Supported by The Contemporary Arts Center

For Another Maggie ASYS: Maggie Lawson
April - May
Oakland based artist Maggie Lawson will be exploring the emancipatory practices of intersectional activist and founder of the Grey Panthers, Maggie Khun, through a series of site-specific installations and performances entitled, For Another Maggie. The project has been ideated and will be orchestrated by artist Maggie Lawson in collaboration with her parents Jerry and Peggy Lawson and with other inspiring older people from Cincinnati’s aging community.

The 2019 Art Space is Your Space Residency Program is supported by Carrington Broeman and Camp Washington Community Board.

Uncanny Valley Curatorial Resident: David Corns
June 15 - July 27
Local architect and curator David Corns will curate an exhibition entitled, The Uncanny Valley, referencing the phenomenon whereby a computer-generated figure or humanoid robot bearing a near-identical resemblance to a human being arouses a sense of unease or revulsion in the person viewing it. Corns’ exhibition proposes that this experience of the uncanny valley can be appropriated from AI and robotics to the ordinary everyday. This feeling of uneasiness is experienced not just visually but through the other senses as well. Like the surrealists painters of the past, or a contemporary example of David Lynch, how can artists use the effect of uncanniness to address issues of everyday life--whether it be social, political or economic, to get to a deeper truth?

The 2019 Curatorial Residency is supported by individual and member contributions.

Temple Misto “Warm Nights” Placed Based Arts Festival in Ivano-Frankivsk, Ukraine
July 11 - 14
“Warm Nights” will be one week of hands-on, placed based art experiences and educational opportunities designed to engage the Ivano-Frankivsk community in a communal art practice. The festival will consist of 3-4 community art activities and 3-4 educational events/public conversations, culminating in a one-night, all-ages art event on the grounds of an empty industrial space, featuring the work of young Ukrainian artists and musicians (Alina Bukina, Animation Studio, and the Cancel x Band). “Warm Nights” addresses our city’s need to build community through creative events and placemaking.

Supported by a US Embassy Small Project Public Diplomacy Grant

What is the Harm in a Reach? ASYS: Abigail Smithson
July - August
Tucson based artist Abigail Smithson will collaborate on an art installation entitled, What is the Harm in a Reach?, with the basketball teams from a local STEM High School . She will ask the students to draw their own versions of "reaching", "extending", "a shot" and "passing", as examples of movements made in basketball; with the final iteration of the drawings in cyanotype print form. The goal of this work is an attempt to bridge a gap and allow for sports and art to coexist in a shared space.

The 2019 Art Space is Your Space Residency Program is supported by Carrington Broeman and Camp Washington Community Board.

 
 
 
 
 

The Curatorial Residency Program is supported by the generosity of community contributions to the ArtsWave Campaign as well as through an ArtSTART award from the Ohio Arts Council, which receives support from the State of Ohio and the National Endowment for the Arts.

The 2018 Art Space Is Your Space Artist in Residency program is funded by a grant from The Carol Ann and Ralph V. Haile, Jr./U.S. Bank Foundation.