Vance Waddell Feminist Residency

Since 2021, Wave Pool has been offering a different kind of artist residency program that builds upon a private, local collection of world class work by female-identifying artists: the Sara M. and Michelle Vance Waddell Collection. This residency, like our others, will be socially-engaged, working collaboratively with our neighborhood and specific community groups within it. The Artist in Residence will have intimate access to the Vance Waddell collection, which features the work of artists who have and are working to resist oppression, subvert public scrutiny, and suggest alternative visual paradigms within the personal and political spheres. The successful candidate will respond to and build their project around the concepts and ideas offered in artworks held in the collection, as they create something new, needed, and proactive for our community.

The Resident-selected inspirational work(s) from the Vance Waddell collection will then be on public view, throughout the course of their exhibition. More importantly however, we hope that the work(s) will be activated through the socially engaged artist driven project and will extend the messages of these historically significant works out into our community with programs and partnerships.

Selected project grant awardees will receive:

  • A $2,000 stipend to create a socially-engaged exhibition in our main gallery space (which includes living/travel expenses)

  • A flexible live/work space on site during the course of their Residency

  • Access to a private collection of radical feminist-leaning artwork

  • Programming and installation support from Wave Pool

  • Staffing support to help execute the experience for the public during open hours

Successful proposals are projects that collaborate with the community, utilizing a social practice methodology that makes the place and the people who are here integral to the project. Projects are to be artist developed and in line with their work to date. The program emphasizes two-way engagement, offering exceptional arts experiences to Wave Pool’s local community as well as unique benefits and exhibition opportunities to the artists in residence.

The Vance Waddell Residency is sponsored by Sara and Michelle Vance Waddell

Applications for 2024 are closed.

Announcing our 2024 Resident: Jessica Caldas, Tired Bodies

During her time at Wave Pool, Vance Waddell Feminist Artist in Residence Jessica Caldas will conduct a series of story sharing and story collecting activities which will lead to the creation of new Tired Body sculptures and installations in collaboration with the public.  

Caldas is focused on story collection and resource building stories of birthing and “un-birthing” with an aim towards elucidating the necessity for more complete reproductive justice in our society. Birth stories, as a practice, have a rich history in cultures all over the world and have existed as a way for women to empower themselves and others during the process of having children, particularly in societies where medical fields do not favor the health of birthing persons. Not only is Caldas interested in tapping that power through the translation of birthing stories into Tired Body installations that provide a more public acknowledgement of these experiences, but I am equally interested in harnessing that power for stories of “un-birthing,” which the artists defines as stories of abortion, child loss, and choices to not reproduce. These stories are told even less publicly than birthing stories and can provide just as much aid to those in similar situations and making similar choices. Both sets of stories can be powerful motivators for change in our culture regarding birthing peoples, their health, and the choices they make. These stories and the resulting Tired Body sculptures and installations will function as witnesses and testimonies for birthing people as well as champions of choice and health.

Tired Bodies incorporate abstracted figures and soft sculpture in a variety of scales, ranging from handheld to monumental. These sculptures relay the realities of their experiences via the methods of their construction and built environments which incorporate several other mediums including but not limited to wood working, found objects, ceramics, and painting. Tired Bodies act as vehicles for interaction, understanding, and empathy, connecting others to bodily experiences of labor and care while navigating the complexities of identity. Each Tired Body possesses a story that might touch on topics of gendered expectation and norms, sexuality, body image, ableism, community, motherhood, and more and these stories contribute to the creation of each soft sculpture and the installations they inhabit. Throughout Caldas’ work, stories are collected in a variety of methods, from direct sources to literature and research, all of which inform the sculptures.

About the artist:
Jessica Caldas (b.1986) is a Puerto Rican American, Georgia and Florida based artist. Her work connects personal and community narratives, usually centered on the experiences of women and women identifying folks, to larger themes and social issues through bodily, multidisciplinary works. Caldas has participated in numerous artist residencies, including the Vermont Studio Center in 2020, the Art on the Atlanta Beltline AIR in 2020-2021, and was a 2022-2023 MOCA GA Working Artist Project fellow. She was recently the recipient of the 2023 Atlanta Artadia Award. Her work has been shown at the High Museum of Art in Atlanta, GA, the Art & History Museums of Maitland, MOCA GA, and is included in the collections of Kilpatrick Townsend, The City of Atlanta Office of Cultural Affairs, the Museum of Contemporary Art Georgia, and the Kyoto International Community House.

Caldas received her MFA at Georgia State University in 2019 and received her BFA in printmaking from the University of Georgia in 2012. She is a part of Living Melody Collective, a multidisciplinary collective of femme artists that is based in Atlanta but is also nomadic along the East coast and throughout the Southeast. She is the founder and director of Good News Arts, a community arts space and gallery in rural North Central Florida, works part time for Pro Bono Partnership of Atlanta, and splits time between High Springs, FL and Atlanta, GA.

 

Past Vance Waddell Residents:

The New Historiographic Atlas, Documents and Portraits
Yohanna M Roa
2023

Life is Drag
Rachel Rampleman
2022

We Lived in the Gaps Between the Stories Lena Chen 2021

We Lived in the Gaps Between the Stories
Lena Chen
2021